The listed books are currently available, newest at the top of the page. Sold out books are listed on the archive page in alphabetical order.
Devils & Evils, Dante’s Divine Comedy Revisited: An Unholy Tragedy, 2026, 11″ x 11″ price $1,950.00. This book uses an eight-panel sculptural tunnel book format. The book can be viewed in two ways; in its compressed state it can be pivoted in the hands to more easily read the circular text. Additionally, the side hinges allow the eight panels to be stretched out to view the text as it descends into the depths of the structure. This format allows for the three-dimensional embodiment of a pictorial form originating in the Middle Ages, the hellmouth. A hellmouth is a visual representation of the entrance to Hell, typically depicted as the gaping maw of a beast or a monster swallowing up the sinners deserving of the punishments of hell. In my modern iteration, I have chosen a specific person as the monster however he isn’t alone, many others have supported and encouraged his heinous acts. All of us are caught up in this hell, the innocents, the guilty, the indifferent, and the well-intended. The ecological sins on our planet will eventually visit punishments on us all. My thanks to all the wonderful people at the University of Iowa Special Collections, the Newberry Library, and the Library of Congress Rare Book Room for their assistance while I was researching Dante, hellmouths, and demons. The tunnel book is letterpress printed on 270 gsm Colorplan pristine white paper, using collagraphs, and photo polymer plates from Boxcar Press. The face tinting is pastel applied by hand. The hinge paper is 135 gsm Coloplan pale gray paper. The book is enclosed in a cloth covered tri-fold wrapper. The side text panels are printed on 135 gsm Colorplan real gray paper, the back panel is 135 gsm Colorplan smoke gray paper. The wrapper is contained in a cloth covered clamshell box. The edition size might be as large as 30 copies. The book was begun in 2025 in the aftermath of the 2024 election and completed in 2026.
The Solitude Squadron 2024 5 ½” x 4” $100.00. The 60 paper puppets of the Solitude Squadron were made in the first 60 days of isolation during the Covid-19 pandemic starting in 2020. Making a paper puppet as a daily ritual provided a calming, creative activity during a very unsettled time. The puppets also provided studio companionship in my pod of one. The paper puppets were mono-printed on Chancery paper then costumed using my vast stash of Asian and European decorated papers and washi tapes. It seemed like a good time to break into the hoard of materials accumulated over many years. The Squadron have been scanned, resized from their original heights of 11 to 13 inches, and digitally printed onto text weight coated paper. The accordion book has 62 panels plus the covers, with a title page, the sixty figures, and a colophon, measuring 256 inches (over 21 feet) when fully extended. Each book has two different end sheets from the still vast stash of decorated papers and is enclosed is an acid free corrugated cardboard clamshell box.
Gertrude Has a Few Questions, 2021, 6″ x 9″ $300.00. Many women have discovered as they get older that they become invisible. While it may be a relief to be spared certain unwanted attentions, it is disconcerting to discover that they have completely disappeared from general notice. Consider Gertrude, Queen of Denmark in Shakespeare’s play Hamlet, she is more a part of the scenery, a pawn maneuvered by her husband and son, rather than an active player. Here is her turn at center stage and she would like some answers. For those unfamiliar with the play Hamlet, I offer this very brief and very incomplete synopsis. Before the play opens, Gertrude’s first husband, Hamlet’s father, the King, is dead. Gertrude is remarried to Claudius, the King’s brother. Within the play, Hamlet sees his father’s ghost, believes Claudius is responsible for the King’s death, murders another character having mistaken him for Claudius; and both berates and belittles his mother Gertrude. Claudius has his own series of deadly machinations throughout the play. By the end of Act 5, all the main players, except Horatio, Hamlet’s buddy, are dead by stabbing, drowning, or poison. This set of five questions was printed on Sakamoto heavy paper using polymer plates and pressure printing in an edition of 33 in the spring of 2021.
Oscar Wilde: In Earnest and Out, 2020, 13″ x 9 ¼”, $950.00. A set of five volvelles portraying five faces of Oscar Wilde backing five faces of characters from Wilde’s play The Importance of Being Earnest. The inner wheels turn to allow the reading of lines from the play and other of Wilde’s writings. Letterpress printed using polymer plates on different shades of BFK paper, each volvelle is housed in a folder and the set with an introductory panel and line citations is enclosed in a clamshell box.
Cross Words, 2019, 5″ x 3 ½”, $50.00. This paper was given to me by Andrew Honey, conservator at the Bodleian Libraries during my residency at the Bodleian Bibliographical Press in the fall of 2018. The full water mark says India, Oxford with a crest of the University of Oxford and made in Great Britain. Andrew has very little information on this very thin and very opaque paper other than it was intended for the printing of bibles. I have wondered if it was intended for bibles to be taken to India by missionaries. At that same time, on the North Sentinel Island, administered by India, a Christian missionary was killed by members of the Sentinelese Tribe despite strict prohibitions on outside contact. The Sentinelese are the only un-contacted tribe on earth inhabiting their own island. They are extremely vulnerable to diseases and social breakdown in the event of contact with outsiders. They have repeatedly made clear their desire to be left alone. Printed letterpress from polymer plates made from rubber stamped texts on a Vandercook SP15. The end sheets were also given by Andrew Honey. The covers are duplexed Bugra paper. Printed in 2018 in an edition of 50.
Order of Appearance: Disorder of Disappearance, 2018, 9″ x 10″, $250.00. A pamphlet sewn gated folded book letterpress printed during a one-month stint as printer in residence at the Old Bodleian Library, Oxford, England. The germ of this project was the stage direction from Shakespeare’s The Winter’s Tale, Act III: Exit, pursued by a bear. This stage direction contains both the terror signified by this wild creature and the comic nature of its unexpected arrival and exit. The single direction was expanded to include a set of ten performers entering and exiting to various stage directions, including the front and back halves of a bear. The format of the book allows the viewer to control the order and tempo of the performers’ arrivals and departures from the stage. Printed using hand-set Bell type, linoleum blocks, and P22 Blox on Mohawk Superfine with a duplexed Bugra paper cover. Printed in an edition of 30.
Funny Peculiar Funny Ha Ha, 2017, 12″ x 10” x 1″, $2,200.00. Funny Ha Ha Funny Peculiar or Funny Peculiar Funny Ha Ha is the result of my extended study of Shakespeare’s comedies. I find the comedies individually to be enjoyable but there is a sameness to many of the plots that allows me to mix them up in my head. So much mistaken identity, gender confusion and various other contrivances while romping their way to a fifth act wedding or two. Even more problematic are the decidedly unfunny themes that are common in many of these same comedies such as hypocrisy, sexual harassment, intolerance, sexism, misogyny, and anti-Semitism. I struggled for a long time to integrate all these ideas. I finally realized that what I needed to do was to address each aspect separately, thus a dos a do book. Each side has its own focus and treatment. The characters are the same in both books. They are printed using the P22 Blox which are a set of modular shapes that can be interchanged to change the body’s posture and gestures. The P22 Blox allows the presentation of the characters as interchangeable as well. Funny Peculiar is a drum leaf book and presents selected lines from five plays delivered by characters on a stage set. Funny Ha Ha is a slice book allowing the viewer to mix and match the costumes and gender of the characters in a variety of postures. Funny Peculiar is letterpress printed on an SP15 Vandercook proof press using hand-set type and P22 Blox combined with rubbings, ink washes, and collagraphs to make the images. Printed on Domestic Etch paper with gray Pescia end sheets. Funny Ha Ha is printed letterpress on an SP15 Vandercook proof press using hand-set type combined with relief printing using P22 Blox, collagraphs, and polymer plates from Boxcar Press to make the images. Printed on white Pescia paper with gray Pescia end sheets. Bound in a modified dos a do binding to hold the sewn text block slice book on one side and the drum leaf text block on the other side. The hard covers are covered with Arrestox book cloth and three vivid colored cotton papers color-matched and custom made by Katie MacGregor. Funded in part by a grant from the College Book Art Association. Housed in a clamshell box covered in Japanese linen cloth. Made in an edition of 25.
Funny Ha Ha Paper Dolls, 2017, 10″ x 8″, standard $175.00, deluxe $350.00. A letterpress printed set of 2 figures and a variety of costumes and genitalia options for all casting needs when enacting new Shakespeare comedies. Printed using collagraphs and polymer plates on Lettra paper. The deluxe set includes an additional set of cut out figures and costumes. Enclosed in a plastic envelope.
What Desdemona Never Says but she should, 2014, 4″ x 4” x 10″, $35.00 each. A series of 5 Mobius strips printed using handset type printed letterpress and trace mono-types. A reworking of Desdemona’s lines by rearranging her original words from the Shakespeare play, Othello to give her something else to say. Each in editions of 10 with 2 proofs.
Landlocked, 2013, 9″ x 12″, $100.00. A map fold book and origami boat printed with letterpress on discarded maps that have paste paint embellishments on one side. Both items have additional maps forms printed on the other side and a very short text: Landlocked, yet flowing to the sea. Made at the invitation of artist Alice Austin for a performance in Venice, Italy, these maps refer to the state of Iowa a landlocked location but bordered by two large rivers, the Mississippi and the Missouri that flow to the ocean and in this instance on to Venice an island city. The origami boats are waxed with beeswax for protection during their launch into the waters flooding San Marco Plaza in Venice. Edition of 18.
Out There In Here, 2012, 10 ¾” x 10 ¾”, $800.00. A double tunnel book presenting my idea of my mother’s reality and imagined situation. My mother had frontal lobe dementia. The tunnels are completely separate and open to different depths to reflect her imagined freedom and diminished reality. Paste papers, trace monotypes and laser printing on Mohawk Superfine paper. Enclosed in a clamshell box. Edition of 25.
Sweet Dreams, Sweat Dreams, 2010, 5″ x 4″, $35.00. A short story of my childhood sleep problems with assorted illustrated nightmares. Printed on Rives Lightweight paper using inkjet and letterpress printing. The fonts used are Lithos Pro and Baskerville. The cover paper is Hahnemuhle Ingres deep green. Double pamphlet binding. Edition of 50.
Lasagna Then and Now, 2009, 7 ½” x 7 ½”, $30.00. A memoir of sorts, bringing together the story of the making of my first artist’s book with a new treatment of that earlier idea. A book of photographs and text using the Lulu.com print-on-demand service. Open edition.
It Didn’t Just Happen, 2008, 9″ x 6 ½”, $275.00. An accordion book of images with overprinted text lines, working together to suggest an ambiguous narrative. The images are organized as if casting a play, with three separate figures holding weapons of various kinds, 3 pairs kissing, dancing or toasting each other, three separate figures crying, sneaking or running, a crime scene body outline and 2 versions each of 4 different room settings. The text was written for the book. The images are letterpress printed using pressure printing, polymer plates and a linoleum block. The texts are letterpress printed from hand set Baskerville type. The paper used is Mohawk Superfine. The accordion is enclosed in a paper case of Canford Paper. Edition of 15.
Who, What, Where, When, 2008, 9″ x 6 ½”, $325.00. A drum leaf bound book of words and images on facing pages, working together to suggest an ambiguous narrative. The images are organized as if casting a play, with three separate figures holding weapons of various kinds, 3 pairs kissing, dancing or toasting each other, three separate figures crying, sneaking or running, a crime scene body outline and 2 versions each of 4 different room settings. The text was written for the book. The images are letterpress printed using pressure printing, polymer plates and a linoleum block. The texts are letterpress printed from hand set Baskerville type. The paper used is Mohawk Superfine. Drum leaf binding with attached hard covers. Edition of 25.
Vicious Circle #6, 2008, 5″ x 5″, $45.00. This rotating ring is not part of the flexagon series, it is a continuation of an earlier series of rotating rings long sold out. Printed letterpress in two colors on safety orange construction paper from the French Paper Company and enclosed in a plastic sleeve with a paper wrapper containing the operating instructions and colophon. Edition of 100.
Siftings, 2008, 11″ x 6″, Standard $175.00. A relief printed book using pressure printing, letterpress and inkjet. The text is a set of 50 short sometimes very short stories of events from my growing up. It started as a remembrance of my mother and expanded out to include my family, my neighborhood, my elementary school and my nervous stomach. The pressure printed images included relate to certain of the stories. Bound using the crisscross or “Secret Belgian” binding invented by Anne Goy. It is a binding with an interesting sewing pattern at the spine. Sixty pages. Edition of 35, numbers 1-10 are enclosed in a silk covered clamshell box lined with marbled paper made by Stephen Pittelkow. A photograph, taken in 1960 is embedded inside the box. The boxed copies are sold out.
The Flexagon Series set of 5, 2006-7, various sizes, $200.00. This flexagon series started with Inside Out or Denial is a Wonderful Thing, printed letterpress in two colors and used the continuous flexagon format. Inside Out is a 6 inches square flexagon, printed on Mohawk Superfine paper and is enclosed in a folder with complete operating instructions. The second in the series is Mid-Coastal, a 1000 Mile Commute, printed letterpress in two colors and used the tetraflexagon format. Mid-Coastal is a 5” x 10” flexagon printed on French’s Cement colored construction paper enclosed with an instruction card in a plastic sleeve. The third in the series is Nice vs. Polite, printed letterpress in two colors and used the woven flexagon format. Nice vs. Polite is a 6” x 4” flexagon printed on Mohawk Superfine paper with operating instructions and enclosed in a plastic sleeve. The fourth in the series is A Game of Fetch, printed letterpress in two colors using the hexaflexagon format. A Game of Fetch is a 6” x 6” flexagon printed on Mohawk Superfine paper and enclosed in a plastic sleeve. The fifth in the series is Where Ever You Go There You Are, printed letterpress in three colors using the rotating ring format. Wherever You Go There You Are is a 5” x 5” flexagon printed on slate blue construction paper from the French Paper Company and enclosed in a plastic sleeve with a paper wrapper containing the operating instructions and colophon. All of the flexagons are in editions of 100. The lidded box designed to contain all five of the flexagons is now sold out.
Sleepers, Dreamers & Screamers, 2006, 9 ½” x 7″, $850.00. An accordion pop-up book, printed letterpress with hard covers enclosed in a matching clamshell box. The pop-ups are constructed of a variety of papers including a cotton and gampi paper made for the project by Bridget O’Malley of Cave Paper. The complete text is “We’ve all had nightmares. Vivid as they may be there is always that sweet release upon waking. But what happens when events in our waking lives surpass even our most horrific dreams. Where is our release now? ”This book was begun in 2001 and derailed by events of September 11, 2001. The text was rewritten in the aftermath and finally completed. Edition of 15.
Fly Away, 2005, 9″ x 8″ x 1″, $250.00. A triangular accordion book printed using letterpress, inkjet and pouchoir on Sakamoto paper, the primary text muses on the sometime desire to flee one’s own life. There are three texts that run along different facets. When the book is standing upright all three facets are visible. A nontraditional variation of the Japanese double leaved album with an attached hard cover wrapped in Moriki paper. Edition of 50.
Slices, 2004, 4″ tall, 8″ in diameter, $175.00. A letterpress printed carousel book constructed of Moriki paper and Thai striped paper. The text is positioned on top of each of the 12 slices; each segment of text contains 50 words. This book was produced in conjunction with the artist’s 50th birthday. Hard cover wrapped in Thai striped paper with an embedded magnetic strip to hold the cake in its full circle. Comes with a doily lined pink cardboard cake box. Edition of 50.